Caravaggio The Supper at Emmaus painting

Caravaggio The Supper at Emmaus paintingCaravaggio Taking of Christ paintingCaravaggio The Incredulity of Saint Thomas painting
front cabinets, the place was still. So much so, and so absorbed the dial-watchers, I was hushed upon entering -- but Stoker belched as it were defiantly. And in vain, for no one so much as glanced his way.
"This is Founder's Hill you're inside of, you know!" His voice was cross and deliberately loud, as jarring as the dirty prints our shoes left on the carpet. "Talk aboutpower :all the power on this campus comes from here! The same power that runs the University! This is the Control Room."
He seemed not at ease, and annoyed when I asked whether these attendants were under his command.
"What would I want with people like these? They don't talk my language." He hastened to add, however, seeing my insinuation, that although the dial-watchers were responsible only to the Chancellor, I should not make the mistake of thinking his, Stoker's, potency thereby diminished. The power was merely controlled and directed from this room; it originated "down below," in Stoker's bailiwick. Moreover, the so-called controllers