Tuesday, August 19, 2008

Tamara de Lempicka Girl Sleeping painting

Tamara de Lempicka Girl Sleeping paintingTamara de Lempicka Femme a la Colombe painting
Mannix they were all part of the secret language of a group of morons, morons who had been made irresponsibly and dangerously clever. He had despised the other side, also—the sweat, the exertion, and the final danger. It had been he, too, who had said, "None of this Hemingway crap for me, Jack"; he was nobody's lousy hero, and he'd get out of this outfit some way. Yet, Culver speculated, who really was a hero anyway, any more? Mannix's disavowal of faith put him automatically out of the hero category, in the classical sense, yet if suffering was part of the hero's role, wasn't Mannix as heroic as any? On his shoulder there was a raw, deeply dented, livid scar, made the more conspicuous and, for that matter, more ugly, by the fact that its evil slick surface only emphasized the burly growth of hair around it. There were smaller scars all over his body. About them Mannix was neither proud nor modest, but just frank, and once while they were showering down after a day in the field, Mannix

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