Sunday, September 14, 2008

Leonardo da Vinci The Madonna of the Carnation painting

Leonardo da Vinci The Madonna of the Carnation paintingRembrandt rembrandt nightwatch painting paintingRembrandt The Polish Rider painting
Each of these extraordinary declarations was greeted with astonished hurrahs. At the last of them the crowd set upon me, ignoring my proper sentence, and I saw Bray no more. My jail clothes were torn off, either deliberately or in the general pull and haul. My male equipment, shrinking from the cold, was made rude fun of, and I was pummeled -- about the head, in particular, by two short-skirt co-eds whose heavy sweaters bore the initials NTC, as did the megaphones they beat me with. My hair and beard were cruelly pulled by knowledgeable skeptics suspicious of disguise. As in a horrid dream I was fetched round again to the dooryard of the Old Chancellor's Mansion: already a sidecar was drawn up to the familiar streetlamp (now extinguished), from whose top the noose was rigged. Grandfather Hector shouted orders from the porch, gesturing with his crook at the Telerama-crew already established there, while his loyal receptionist (who had contrived to exchange her library-clothes for military uniform) made checks on a clipboard with a series of pencils which she drew from and returned to her hair. Whether the P.-G. was opposing or directing the lynch I could not tell. I wondered why Mother was not in her place. Stoker's

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